Product Description
Well before the release of this solid but slender debut, the Brooklyn-based Yeah Yeah Yeahs were the subject of so much international press hype that the White Stripes were probably taking quick, nervous peeks over their shoulders. But while Fever to Tell captures a lot of what’s good about the trio--mostly the caterwauling energy of their club shows--it also exposes the band’s limitations. Singer Karen O is the undeniable star here, contorting her voice from a primal P.J. Harvey growl to the pre-orgasmic purr of Chrissie Hynde. Nick Zinner chops, slashes, and torpedoes his guitar around, across, and straight at O’s voice, while drummer Brian Chase delivers a suitably raw trash-can thump. There are a lot of cool sounds on this 11-song, 37-minuute disc, and enough metallic-KO attitude to make a bare-chested grandpa like Iggy Pop proud. What’s missing is a more varied set of fully fleshed-out songs, the kind it took the White Stripes four albums to write. Hype too early in a career can be terrible burden--ask Liz Phair or, soon enough, the Vines. Better to enjoy Fever to Tell for what it is--an uninhibited blast of garage-rock fury--without swallowing extravagant claims for a potentially great band still under construction. --Keith Moerer
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Spotlight Reviews
 A Lot of Fever -- Not Much Telling
I first heard the Yeah Yeah Yeahs when they performed "Y-Control" on Conan O' Brien. Initially, I was blown away by the guitarist, Nick Zinner. But what kept me hooked was Karen O's stage presence. I downloaded the song the next day and played it repeatedly. From there, I read a few reviews of the album and downloaded the song "Maps," which seems to be the critical favorite. I found myself equally impressed. Before actually purchasing the album, I tested out one more song and downloaded the current single, "Date with the Night." From there I knew I had to take the plunge and buy the album. And I must say, I'm very happy I did.
The first thing that impressed me with Fever to Tell was Karen's vocals. A combination of PJ Harvey's range and tonal quality with Bjork's vocal abandon. Her voice warbles, shrieks, and screams through tracks like "Rich," "Date with the Night," and especially "Tick" with an amazing elasticity.
Musically, the album also kept me quite entertained. The sheer energy and fun-loving spirit of the album is enough to perk up even the most depressive music lover. The instrumentation is largely just guitar and drums (provided by Brian Chase), but it sounds remarkably full even without the aid of a bassist. Most of the beats have a cheerful march quality to them and the guitar wails as it's pumped through 2 amps. "Pin" would be my choice for the most musically infectious track on the album.
But where the album falters is in the land of lyrics. There are some genuine gems: "Maps," "Y-Control," "Modern Romance," and the bonus track. Basically, the end of the album is where are the good lyrics are stored. It's also where Karen tones down the vocals and the sweet side of her voice gets a chance to shine. But the majority of the tracks have very sparse, one-track lyrics. If you approach the first portion of the album as a feel-good rocker, you won't be disappointed -- the opening tracks will have you bounding across the room. But if it's lyrical depth you're looking for, you're going to be using the Skip button a lot.
The album is also a little short. Most of the tracks don't get beyond the 2:40 mark. But given the fact that their lyrics are more than a little repetative (Karen seems to have a definite habit of choosing a word from each lyric and repeating it over and over again), this may not be such a bad thing.
Yeah Yeah Yeahs have a lot of potential in all the areas of music: vocals, music, performance, and (when they want to) lyrics. I'm really interested in seeing where they take things on their second album. Fever to Tell is most certainly worth a listen and, if you like what you hear, a purchase.
Decent album
All of the hype about this album and group actually kept me from listening to it for a while. I saw them live when they toured with Sleater-Kinney and I didn't think much of them at the time. But it really wasn't as bad as some negative reviews made it out to be. Musicianship, alas, is not this band's strong point at the current juncture. Maybe the guitarist could order that computer guitar tutor program that Peter Frampton advertises on daytime TV? The singer (Karen O.) is O.K., I wish she wouldn't scream so much. They have some catchy (though admittedly repetitive) hooks in a few of the songs. The highlights of the album are definitely "Date With The Night", "Man", "Pin", and "Maps". "Maps" gets bonus points because you can actually hear what Karen's voice sounds like, instead of hearing her test the limits of her vocal cords. I can see this band possibly going places, and I don't mean into the dustbin of pop music history. The songs are original, and have a lot of energy and emotion. To be trite, it does grow on you after a few listens. Just don't listen to it with any preconceived notions about it "saving" rock and you may enjoy it.  Best CD...
Well, this CD is well worth your money! It is very different and fresh. The guitar is very edgey and the drums are excellent! I highly recommend it and please do pick it up.
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Based on 174 reviews.